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    Satellite

Satellite includes a fully featured disk recorder and editor that can be scaled up to 192 tracks, multi format surround mixing system, optional PyxisTrack non linear video, an in-built audio bridge to VST compliant plug-ins and full ReWire implementation for audio streaming from other ReWire enabled sound design tools.

In summary Satellite is a digital audio workstation with integrated recording, editing, mixing, video and plug-ins support designed to streamline and simplify all aspects of the audio for video post production process to a degree previously unavailable.


CC-1 Engine
As with other members of the Crystal-Core family of products, FPGA Technology is at the heart of the system providing blinding speed, enhanced performance and unbelievable audio quality.


Satellite Functionality
Satellite is a digital audio workstation with integrated video, a choice of analog digital and/or MADI inputs and outputs, compatible with CC-1 based, QDC-based and MFX3plus-based project formats and with 96kHz/24-bit audio quality.

As with all members of the Crystal-Core range, Satellite incorporates Binnacle Editing – Fairlight’s well-respected editing model designed to enhance the speed and ease of editing.

Satellite's graphics display provides all the information required to produce audio projects of any nature. More importantly, it presents the information very quickly, and only as required, ensuring the display remains uncluttered and easy to read. Considered essential by professional editors, high resolution, smoothly scrolling waveforms are displayed in all transport modes, providing the most detailed view possible of all the audio in a project. Finding edit points and matching audio from different sources becomes trivial. Satellite's zoom function can instantly expand and contract the time scale of displayed audio.

Satellite's transport controls are immediately familiar to the audio engineer, resembling those of a conventional 24-track tape recorder. Satellite however offers true random-access operation with instant playback from any point in the project and features non-destructive recording and editing, allowing recovery of previous takes and edits for virtually mistake-proof operation. Audio may be seamlessly punched in and out across any or all tracks at any time.

Powerful 4-band parametric equalization can be applied to each clip in a project and set using an interactive screen. EQ settings can be A/B auditioned and copied band-selectively between clips. Crossfades and fades may be applied to any clips at any time, with a variety of user-defined laws, and all clips have independent level adjustment. A demo version of Serato’s Pitch ‘n Time FE is included with every system, providing the industry’s best time compression/expansion, varispeed and varipitch functions. Satellite can import or export OMF files, AIFF, Broadcast Wav, DAR Files and MP-3 audio using the Virtual Studio Runner option or via AV Transfer. Satellite AV plugs directly into any modern Windows compatible network environment, providing seamless file interchange and workflow between with a wide variety of popular software.

Satellite also includes as standard one of the fastest and most intuitive SFX library database systems available today: AudioBase3

With AudioBase3, multiple Fairlight users can share sound libraries, music libraries and other sound files. With the advanced AudioBase3 search engine, searching HUGE sound file databases is blazingly fast, and advanced search tools allow users to find exactly what they need quickly and easily. AudioBase3 also includes a friendly web interface, so users can search for sound files from their desktop – no workstation required!


Editing Overview
The Satellite editing software is organized in a unique object-based architecture that makes it intuitive to use, fast to operate, powerful and flexible. As can be seen in the following sections, there are many edits designed to fit different situations, and there is usually a single command to accomplish any desired change in the editing environment.

Fairlight's unique multi-layered approach to editing speeds up many processes and allows simpler management of audio when editing becomes complex. For example, multiple-take recording and editing is a simple task because the management of all takes is performed automatically by the system.

The system allows the replacement of audio by pasting another piece of audio on top. The original versions can be recovered just by removing the top layer and, in the same way, to build up alternatives and quickly cycle through them. The screen always displays the current state of layering, and the names of all clips at the current transport location are also displayed.

Satellite offers clip based signal processing edit options for level, fades and EQ, whilst Station and Constellation also offer additional automated processing.

The Binnacle™ (named after the housing of a ship's compass) centralizes all editing and transport functions around the jogger wheel and offers the operator a choice of one-handed or two-handed editing.

Binnacle™ has dedicated keys for Transport & Range, Play/Jog, Jump, From/To, Copy, Cut, Erase, Trim/Slip and Fade. There is also a BLUE function that offers single key short-cuts to key operations. Undo and Redo keys provide instantaneous access to unlimited layers of edit decisions for ultimate flexibility.

With Binnacle™, editing functions are always available on dedicated keys regardless of where the user navigates in the system. The Binnacle™ includes commands like Range, Zoom, Jump and Jog. Edits are 'constructed' on the basis of three components:

• The edit mode – Cut, Copy, Erase, Trim, Slip or Fade
• The target of the edit – Clip/Range, Head or Tail
• The options associated with it – Range On/Off, All Layers or Razor

To perform a Binnacle™ edit, the user first selects the appropriate mode. The Binnacle is always in one mode or another, so when performing multiple edits of the same type the mode does not need to be re-selected between edits. Next, the user selects any required modifiers. “Range” mode causes all edits to affect an area bounded by points defined using the FROM and TO keys.

“All Layers” automatically invokes Range Mode and causes edits to affect all audio within the range – not just the top layer. ”Razor” mode allows the user to cut and paste time as well as audio. Having selected any appropriate modifier (usually none), the user presses the appropriate target key and holds it whilst moving the transport with the jog wheel or any other appropriate method and/or changing tracks using the “Track Sel” key. When ready, simply releasing the target key causes the edit to be completed, with, for example, audio selected in “Cut” mode being pasted in sync at the new location. A typical cut and paste edit requires a single keystroke – the target key.

Other editing modes, such as Track to Track Razor Mode and Multi-layer Cut and Paste with Sync Point. Insert Space, Split Clip/Layer, Fill and Backward/Forward Fill are all available at all times. Using Finger Memory, users can now literally “play” keystrokes like a musical instrument, allowing full use of both hands for phenomenal editing speed.

Mixing
Satellite provides a subset of Crystal-Cores powerful mixing tools. The key to Satellite's flexibility is its configurable buss structure. The main, 8 sub busses and 12 auxes all support formats up to 7.1 wide allowing complex projects to be managed with ease. Additionally there are 24 mono multitrack busses available for additional mono bussing such as track laying.

Satellite's Main Mixer Screen provides an interactive environment combining mouse based parameter selections with instant visual feedback of what is active in the mixer such as all channels (with a demarcation of track or live feed) all link groups, all busses and auxes together with project information such as current mix name, current time code position, selected sample rate and project frame rate.

Comprehensive Monitoring
A comprehensive monitoring matrix is integral to the system. It is user configurable so that the monitoring facilities are optimized for the task at hand. This means that any buss, aux, fold back mix or external source that is used in the session can to be monitored instantly. Up to 4 different speaker sets are supported so that your mix can be monitored for different playback environments.

Channel Parameters
Crystal-Core provides 3 stages of dynamics and 8 bands of EQ for each one of its channels, together with a floating insert point. On the input section the following direct access functions are provided: remote control of gain and phase for a connected UP4 mic amp, selection of Insert point pre/post EQ/Dynamics and adjustment of level trim and track arming. All channel parameters are adjusted via an intuitive Virtual Channel pop up

Extensive Panning
The panning section allows incredibly creative panning to be easily performed around the selected mix format. There are dedicated controls for Spread, Divergence, Rotate as well as the fundamental Left/Right and Front/Back selections. In addition a fully programmable joystick panner is emulated on the Mixer Screen.


Mixing Control

Access to mixing and monitoring setup is provided through tactile controls on the Satellite AV controller providing the fastest access available for such a compact system.  Once a function is selected soft keys are used to navigate the user through available parameters. A complete mixer configuration can be set up in minutes and the template stored within the project file.

Control of mixing functions and channel parameters is performed in a mouse based environment via an intuitive GUI known as the Virtual Channel. This pop up is instantly accessed through a right click in any of the channels of the main Mixer Screen.


Plug-Ins/Re-Wire
Satellite delivers the most open plug-in platform available today and has a built-in 64 channel audio bridge to VST compliant plug-ins and ReWire connected sound design tools.

Up to 64 simultaneous VST plug-ins can be used in one project. It also means 64 channels of audio connection to any third party system using the ReWire protocol.

Given that Nearly ALL current hip sequencing and sampling tools offer some degree of ReWire connectivity, Crystal-Core opens up post production to new levels of creative possibility.

ReWire provides access to Propellerhead Reason, Steinberg VST instruments, Ableton Live, Tascam Gigastudio, Native Instruments Kontakt, Synchro Arts VocAlign and many more


PyxisTrack
PyxisTrack is an Integrated SD or HD video option available for all Crystal-Core systems.

PyxisTrack provides an integrated SD or HD video file player hosted on the CC-1 platform. The PyxisTrack output appears in the editing screen centralising all audio and video references in one logical area.

PyxisTrack is a video file player which can play OMF, AVI, QuickTime, Mpeg2 files from a local drive or stream over a network.  

PyxisTrack supports the Decklink card options for Genlock. Note: PyxisTrack does not support video recording therefore you will need to specify either a full PyxisPro system for SD video capture or Pyxis SD for HD video capture. Refer Fairlight Product Department for host PC specifications.

    What is Satellite?

Satellite is a powerful and productive audio for video post production system and is powered by Fairlight’s amazing new CC-1 FPGA media processing engine. It combines legendary ‘Fairlight-fast’ editing with an array of recording and mixing features. The essence of its power lies in the seamless integration of essential production tools such as non linear video and plug-ins delivering a truly compact but all-encompassing post system.

Satellite includes a fully featured disk recorder and editor that can be scaled up to 192 tracks, multi format surround mixing system, optional PyxisTrack non linear video, an in-built audio bridge to VST compliant plug-ins and full ReWire implementation for audio streaming from other ReWire enabled sound design tools. In summary Satellite is a digital audio workstation with integrated recording, editing, mixing, video and plug-ins support designed to streamline and simplify all aspects of the audio for video post production process to a degree previously unavailable.


The SatAV Console



Editor Display with Pyxis Track



Mixer Display



Plugin Display



Virtual Channel



Binnacle



SatAV console and Editor Screen



Patching

     Key Features

• Full function Digital Audio Workstation
• Powered by the CC-1 FPGA Media Engine
• Up to 192 tracks
• Up to 64 tracks of concurrent punch-in punch-out recording.
• Full Mixing Toolkit  
• Integrated SD video (PyxisTrack)
• Up to 212 Analog and/or Digital I/Os
• Binnacle™ powered tactile editing
• 64 Channel Audio Bridge to VST compliant plug-ins and ReWire devices
• Project compatible with existing Fairlight QDC systems
• Up to 72 mix busses
• Up to 230 channels
• Mixing up to 7.1
• Full integrated patching and routing
• Comprehensive monitoring with multiple speaker sets
• Supports Sidecar moving faders and meters
• Built-in machine control

    Specifications

Analogue Inputs & Outputs
Input impedance >10k Ohms
Output impedance <55 Ohms
Maximum input level +24dBu
Maximum output level +24dBu
Standard operating level adjustable from +14dBu to +24dBu
Input signal to noise >113dB A-weighted (A/D conversion)
Output signal to noise >113dB A-weighted (D/A conversion)
Through system signal to noise >110dB A-weighted
Through system THD <0.0008%
Bandwidth (.25dB) 20Hz to 20kHz

AES/EBU Inputs
Minimum differential 200mV
Input impedance 110 Ohms transformer isolated
Channel status FPGA Technology systems are insensitive to channel status

AES/EBU Outputs
Output level 4V
Output impedance 110 Ohms transformer isolated
Channel status
Professional
Normal audio
Source locked
Sample frequency set to project sample rate
Stereophonic
24-bit word length

System Sample Rates
32, 44.056, 44.1, 48 and 96kHz (user selectable)

Run-up/Run-down Sample Rates
44.056, 44.144, 47.952, 48.048, 95.904, 96.096kHz

SRC Range (with optional SRC I/O module)
Input: 0.33 to 3.0x system sample rate with range limits of 15kHz to 108kHz
Output: current system sample rate converted to any other possible system sample rate

Clock References
Internal, AES reference, WCLK, any Digital Input, Video Reference or LTC input
Clocks may be derived from an external WCLK or AES sync that is running at either the system sample rate, 0.5x system sample rate or 2.0x system sample rate. Thus the system may be run at 96kHz locked to a 48kHz reference, or at 48kHz locked to a 96kHz reference, for example.
Specifications subject to change without notice.